Showing posts with label Disaster Scenarios. Show all posts
Showing posts with label Disaster Scenarios. Show all posts

Monday, March 14, 2011

WRITING CONTENT MOVED!

WRITING CONTENT MOVED!

301_redirectAs of today, all new writing content on http://blog.dawnsrise.com has moved to The WriteRunner (http://blog.writerunner.com).

Please update your links and subscriptions accordingly!

I’ll still post links to new content here for a while.

Not sure what I’m going to do with this blog, but I’ll probably post things dealing with workouts, the Mariners, skiing (or the lack thereof), family, political opinion (if I’m brave enough), and life in general.

Thank you so much for your patronage of this site, your feedback and involvement has been invaluable!

Over the next couple weeks I’m going to re-do the layout of this site into a new format.

Friday, March 11, 2011

Movie Sign!

Just want to start out by saying that our thoughts and prayers are with the people of Japan today as they deal with the earthquake and tsunami that hit them. Japanese popular culture seems riveted with the concept of disaster but no one actually wants it to happen. Please consider a donation to the Red Cross.

Movie Sign!

gamera11I’ve been going ahead with the idea of writing a movie script for the History Story I’m working on. I have a couple reasons for this:

  1. I feel that this is really a visual story with movement and action. It’s something that falls well into the movie format.
  2. Writing a novel may take more time than I’m willing to spend on the project.
  3. A lot of people have commented that my style is a bit “cinematic” so why not put it to the test? Probably not the greatest reason but it’s given my something to think about.
  4. The potential upside is greater.

One of the things I’ve done is read the scripting book “Save the Cat” by Blake Snyder. One of the exercises he suggests (among others) is to plot movies on a sheet of paper (a “beat sheet”) which contains all the major plot points. So for the last few mornings, I’ve sat with a form and watched Netflix movies and paused the movie every couple of minutes to make notes (which drives wife crazy). And amazingly enough, movies actually do follow the “beat” that Snyder has laid out. Almost down to the minute.

Note that many movies have a “beat” every ten minutes…when the reel changes (you can see a dot in the upper right corner of the film when this happens…but only in theaters). So the first reel is “setup”(Ordinary World), 2nd reel is “inciting incident,” and third is “break into Act II” (Crossing the First Threshold). There are 12 beats in all. Note that when the reel changes, the scene generally changes as well. Also note that the beats don’t correspond to the 12 steps of the Hero’s Journey.

So far I’ve screened Defiance, Gamer, and Vertical Limit. I’m trying to stick to adventure-type movies as sort of a blueprint for my own movies. So far I’ve learned a lot. I think I’m going to develop a beat sheet for novels as well, and fill them out when I read them. Have any suggestions? (that I can see on Netflix steaming)

The next step will be more complicated. I may take a couple movies and do a scene-by-scene breakdown and build a movie chart that maps the movie by emotion and conflict. It will be tough but I think I can learn this. I’ll have to say that I’m probably never going to view movies the same again.

pirates knocked up shrek

Friday, February 11, 2011

One Person CAN Change the World

One Person CAN Change the World

Wael-GhonimMany novels, possibly the majority, revolve around a single character’s actions. And in many cases, the character is thrust into a position where he must challenge the status quo and fight “The Powers That Be.” It is a powerful message, especially in Western culture. We value the power of the individual to conquer the forces of evil, especially those who are well-established such as dictators.

We have plenty of great individuals in American history: George Washington, Abraham Lincoln, Martin Luther King Jr., Jackie Robinson, Susan B. Anthony, Rosa Parks, and thousands more who fought the powers. I have many in my own family, from my cousin Barney who I’ve been posting about, to my Uncle Oliver who earned medals in WWII flying dangerous missions into the Far East.

The events of the last few weeks highlight to world what the power of individual is all about, and how one man can take down an empire, especially a corrupt empire. It all start when Google employee Wael Ghonim created a Facebook page that led to a rally to honor the memory of Khaled Said, a man who was beaten to death by police last June. Fittingly, that protest on January 25 led to more beatings, detentions, and deaths of the protestors. Ghonim was arrested. For a while it seemed like once again, the forces of evil would prevail, and the budding revolution would be quashed.

But here’s the thing, novel writers. The thing to remember is that events always move forward, and once the genie is out of the bottle, it cannot be replaced. Doors are opened that cannot be shut. The protesters refused to leave Tahrir Square. The government tried everything. They “released the hounds” and sent gangs of thugs, some armed with guns, against the protesters. But the protesters were willing to die rather than surrender. The government tried arresting the people.  They sent in the army, they arrested and beat up journalists, they closed off the internet, phones, and shut down transportation.

But the protesters still came. They grew. What started with one man putting up one Facebook page grew into a Revolution. The government tried pleading, bargaining with the protesters, giving them small concessions and freeing the detainees. Too little, way too late.

This morning, the Mubarak administration fell, literally without a shot being fired by the protesters. Ghonin called into CNN and said, (I’m paraphrasing), “my work here is done. I just want to go back to my job.” A classic Reluctant Hero. One can only hope he stays involved and help shape the future of Egypt.

When you are writing you own novels, think about what those protesters faced, how hard the opposition was (not to mention the freezing nights, lack of food, water, sleep, and sanitation), and how through sheer perseverance and sticking to their principals, they were ultimately able to overcome the great odds stacked in their favor. If you can capture even a portion of the emotion the Egyptians felt in this process, from utter despair to sheer joy, you’re probably in good shape.

Monday, February 7, 2011

The Big “Nooo!” Moment

The Big “Nooo!” Moment

khanFirst, a quick word about my last post. After carefully reading the responses, I realized I may have made some generalities about readers’ expectations about why they read fiction. I think their point is well-taken: be careful when blogging to not make assumptions. However, I also feel that you should be unafraid to make strong points, because it leads to interesting discussion.

Now on to today’s topic. We’ve all seen it. It’s been parodied to death, yet many books and movies still use this tried-and-true method. Something happens that the character cannot control, eliciting the proverbial “Nooo!” or some variation. Darth Vader kills Obi-wan, and Luke says “Nooo!” and is dragged away. Frodo sees Gandalf die. “Nooo!” Sarah Connor first sees the Terminator (in Terminator 2). “Nooo!” Captain James Kirk’s “Khaaan!” counts, by the way.

Called the “Big No” trope,  it clearly signals an important turning point in the story. It’s a moment when the Bad Guy has his victory, when everything falls apart for the Hero. There’s only one thing left for the Hero to do: scream. But this “Nooo!” is more than just an outcry. It’s the Hero’s sudden recognition that not only is he facing physical harm and mental distress, it is that he is also facing the greatest enemy of all—Death. The stakes have been raised to their utmost.

Now when writing an adventure story like I have, I always had a couple “Nooo!” moments in mind. Especially writing Steampunk, there is one aspect that lends itself nicely to this: Airships. Airships are disasters waiting to happen. The Hindenburg proved that. But there are other dangers, one of which speaks to one of our basic fears: falling. And what happens when you combine an airship with falling? A “Nooo!” moment.

His hand slammed across Sophia’s face, a blast of pain that threw her to the deck. Viola shrieked and charged at him with clawed hands. He stepped aside and slammed the back of her head with the pistol. Viola stumbled, hit the railing, and flipped over with a scream, disappearing into the night.

“VIOLA!” Sophia jumped to the rail. “VIOLA! VIOLA!” No answer. She turned back.

Dunstan stood stricken. “No, no, nononononono.” He dropped to his knees, mouth agape.
– excerpt from Steam Palace 

What’s your favorite “Nooo!” Moment, from either your own work or popular movies/ fiction?

Friday, January 7, 2011

History

History

Andrew - 001Samuel StumacherHow many of us know our family’s history? This week, a cousin of mine sent me a huge, 400+ page full-color tome illustrating my family’s history going back 8 generations. I cannot stop reading it. It is a truly humbling piece of work. It also shows what a giant clusterfuck history is.

My great-grandfather Samuel Stumacher on the left, me on the right. Apparently goggles were not the rage back then.

I’m sitting here in a cafĂ©, writing on my netbook computer. 110 years ago, my ancestors fled persecution using falsified documents with nothing more than the clothes on their backs. I know almost every American has a similar story in their background. But to see it come alive in one book was shocking to me.

Some of my ancestors are only known by their names, where they lived, and their approximate birth year. Many of the women have no maiden names known. These people are no more than lines in a census registry sitting in a government archive in Kiev, listed alongside their family members. So as a writer (and a human being) I start wondering about them. What did they do for a living? Did they love their spouses? What did they achieve that they are proud of? What are some of the challenges they faced? Did they have pets? How did they die?

A few of the lines in the census end with the word “conscripted.” These men were put in the army, and never heard from again. This was one of the “solutions” to the “Jewish Problem.” Cannon fodder. Back then, armies weren’t all comfy-cosy like they are today. It was virtual slavery which lasted 25 years before they were let go.

Women were all but ignored in the records. Daughters were married off and never heard from again. Wives seemingly came from nowhere. My thought was, “well someone must have a record of these people.” Yes. The synagogues did. Until they were burned. With their congregations inside. (I am not exaggerating this).

One of the most heart-wrenching mementos in the book is a letter written from a father to a son, begging for the son (a US WWI Vet who emigrated much earlier) to return from American and take them away. Why? Because pogroms were decimating the Jewish population. The father Nechamie literally did not know “hour-to-hour” whether he was going to stay alive.

Many people were killed, and our daughter Bassie had married, but her husband was murdered. Now she is left with a child, and has no means with which to keep it.
–Nechame Stumacher, 1920, translated

His son Barney did come and rescue them in an ordeal worthy of any Hollywood movie.

…56 extended family members set out in wagons for the Romanian border, They were robbed and harassed by soldiers but managed to get to the border…they were stopped by the police who noticed the [fake] passports sticking out of the neckline of Bassie’s dress (where she had hidden them)…
–Based on Barney Stumacher’s audiotape recollection

IMG_1158

Pictured: Barney Stumacher, Bassie Stumacher, and the baby Blossom Batt, who incidentally lived to the age of 89 and died in 2009, survived by 4 children.

One thing that gets me is all the blank entries in the book…those people who stayed behind, those that didn’t “make it.” Their records continue up until 1939, then end. That is when the Nazis invaded the Ukraine. In the town where my ancestors are from, the Nazi’s executed 7,000 Jews. Seven Thousand. That was about a quarter of the town’s entire population. Two 9/11’s in one small town. I don’t know how many of my relatives died, but it’s probably dozens, if not hundreds. There were only a handful of survivors. The cousin who compiled this history did not consult the Holocaust records, and frankly I don’t blame him. It’s mortifyingly depressing.

There is one thing that gets me more than anything, one thing that I cannot shake, and maybe this is the part I can take into my writing. I think about the people that left, that came to America to start new lives. They left everything behind to sail into an unknown future, to travel to a land where they did not speak the language. You may think that they didn’t have much to lose given their circumstances, but I look at all my ancestors and see dozens that were born, lived, married, raised children, and died in that same town. Let me tell you something right now.

They did not want to leave.

I had a conversation with a friend of mine after 9/11 that I’ll never forget. The majority of people are simple folk. All they want is to have a chance for a happy life. To have a decent job, to marry someone they like, to raise a few kids. Nothing special. They want to build a home they live in the rest of their lives. Most of the people who died on 9/11 were just plain old office workers, janitors, moms and dads. And most of the people in Iraq, Iran, and Pakistan are exactly the same. People just want to live their lives.

I look at the records of my ancestors, and I see the same kind of people. Married, families, strong religious beliefs, and working simple jobs that kept food on the table. Shopkeepers, tailors, carriage drivers, carpenters. They did not want to leave. This was their home for generations. But then everything changed. Their homes were invaded. Their businesses were burned. Their husbands and wives were murdered, all tacitly approved by the government. They had no choice but to leave. Not all of them did.

I realized that these people were Heroes, in the truest sense of the word. They did the unthinkable. They moved their entire families to a strange country and faced countless dangers along the way. They faced death and survived (followers of my blog should see where this is going).

I’m not suggesting every story you write should be about people facing genocide, living in a dystopic hell. But if I could channel even a tiny portion of the emotion that I’m feeling right now about my ancestors, I think I will be a successful writer.

In your novel writing, consider whether your main character is truly facing an impossible choice, but in some ways, there should not be a choice at all. Your main character must do what they must do, face the enemy straight on, and risk everything. Only then can they be a Hero.

I can’t really think of many things more courageous or more difficult than what my ancestors achieved. If they had not found the means to leave, if they decided to “wait it out” or hope for better times, then I would not be here today living in relative comfort, and their lives would have ended in a horrific way.

So I salute the man pictured above, Samuel Stumacher, for bringing his family of 8 (including my paternal grandmother at age 7) to New York in 1901. He did not live long enough to see my father’s birth (his grandson), but I know he’s up there somewhere looking down on his dozens of descendants. Thank you, Samuel.

PS Apparently Sholom Aleichem, famous Yiddish writer, lived for a few years in this very same town. He is the author of the story that Fiddler on the Roof is based on, which depicts life in a town that neighbors my ancestors’ town at that same time period.

Friday, December 31, 2010

2011 Goals and Resolutions

2011 Goals and Resolutions

2011_goalsYep, it’s that time again to give myself ample opportunity to look back in one year’s time and beat myself up for completely missing my goals. So, in the spirit of knowing that I’ll most likely fail, I present my 2011 Goals and Resolutions.

To clarify a couple things: Goals are what I’m committing to. Resolutions is what I’m going to strive for. And note, by the time I publish this post, these may have gone out the window. I reserve the right to change them at any time.

Resolutions

Writing-related

  • Read 25 novels
  • Read 6 writing books
  • Publish 52 blog posts (I’ve written 100+ the last couple years so…)
  • Blogfests: Host one, participate in 12
  • Plan a 2nd draft of Dead Air.
  • Plan a revision of Dawn’s Rise
    The last two aren’t goals because I’m seriously questioning the marketability of these vs the amount of effort needed to fix them. But if I need a couple week “break” I might consider working on them
  • Keep participating in critique groups

Personal

  • Lose 20 lbs & stick with exercise plan, tendonitis willing
  • Watch way less TV
  • Take a family vacation
  • Keep on top of bills
  • Get the truck serviced
  • Avoid time-wasting distractions (like iPhone apps)

Goals


Writing Goals (To be completed by EOY)

  1. Publish Steam Palace (or exhaust all means).
    By “publish” I mean at least have someone express interest (have an offer).
  2. Acquire a literary agent.
    #1 is not necessarily contingent on this one.
  3. Complete the first draft of at least one of these:
    • The Immortals
      (I have 80K words already but I got stuck…need to outline whole novel and restart)
    • Girl World
      (I might write this as a script instead of a novel)
    • Steam Palace 2
      (I have the basic concept, need an outline)
  4. Completely new NaNoWriMo novel (unless contracted for paying work)
    This is in addition to goal #3 so my overall goal is 2 first drafts in 2011, one before and one during NaNo.
  5. Participate in 3 writing conferences and/or
    Participate in 3 writing workshops
  6. Create an “author web site” for myself

Writing Skill Goals

  • Deeper characters and POV
  • Faster revisions
  • Better villains (higher stakes, increased conflict)
  • More emotional content, more connection with the characters
  • Improve my critique skills (make people anticipate instead of dread my feedback)
  • “Stay Away From Toxic Relationships.” Oh wait…those make the best character conflicts. Nevermind.

There, is that enough? Pretty much all I really want to accomplish is Goal #1. Everything else would be nice but if I don’t publish Steam Palace (or have a lit agent I feel confident with) then I’m really going to have to reevaluate. And that’s not going to wait ‘til next December.

Monday, December 27, 2010

2010: My Year In Review

2010: My Year In Review

goodbye-2010-hello-2011There is one aspect of every job I’ve ever had that I hate the most: reviews. Whether once a year, twice a year, quarterly, weekly, heck—some places had daily “stand-up” meetings—they all had one thing in common: they were opportunities for me to see how poorly I was doing; a chance for me to browbeat myself into submission; and ultimately, of course, to be the avenue for my exit from those companies. Let me explain:

I

Hate

Reviews.

So why am I giving myself an annual review and posting it for the world to see? Why give myself an honest assessment of my successes and failures? I have no fucking clue. But here it goes.

Last years goals:

MAIN GOAL

I want to know that this whole “writing career” thing is progressing…What I really want is to feel some measure of success by the End of the Year.
Before I answer this, let’s look at how I did vs. my other stated goals.

Resolutions (for reference, not for evaluation)

  1. Be a better father and husband. Spend more “quality time” with the family.
  2. Eat healthy and exercise. Get back to the gym and the pool.
  3. Stay focused on my writing and not get too distracted by blogging.
  4. Increase the amount of critiques I do.
  5. Clear all the clutter out of the house.
  6. Try to avoid disasters.

Goals (to be graded)

  1. Lose weight.
    RESULT: FAIL Actually gained ~5lbs this year
  2. Complete the current Steam Palace revision by April 1
    RESULT: MISS Completed Revision 2 on 6/22.
  3. Attract an agent and/or publisher for Steam Palace.
    RESULT: FAIL Made some contacts but have not actually queried.
  4. Get back into running (tendonitis permitting).
    RESULT: N/A, tendonitis as bad as ever :(
  5. Write a new book for NaNoWriMo.
    RESULT: SUCCESS Wrote Dead Air for NaNo. 55K words.
  6. Complete a draft of The Immortals.
    RESULT: FAIL Did nothing more than polish an excerpt for a blogfest.
  7. Go to at least one writer’s conference.
    RESULT: MISS Planned for Jan 20, 2011.
  8. Go to at least one convention where I can push my novel.
    RESULT: FAIL I kinda talked it up at
    Steamcon though.
  9. Take a vacation at some point.
    RESULT: FAIL Took a day off here and there.

Wow, that was humbling. I got almost nothing “done” except NaNoWriMo. Of course back then I had no idea that Steam Palace revisions would take all year. However, I do have a few achievements to note that were not on my official “goal” sheet:

  • 107 blog posts in 2010 with 2 more planned (including this one)
  • Stuck with exercise plan
  • Completed 3rd revision and am on 4th revision of Steam Palace
  • Created new story concept called “Girl World”
  • Created concept for Steam Palace 2
  • Did clean out a lot of the clutter mentioned in Resolutions
  • Participated in ~35 blogfests and hosted one
  • Wrote ~7 Flash Fiction pieces
  • Hosted Eastside Writers Meetup Group for most of the year
  • Actively participated in 4 in-person critique groups overall
  • Avoided disasters (so far knock knock)

And now to address the “Main Goal” mentioned above.

To be honest, I think I’ve progressed in a huge way. I am so much more in touch with story structure, characters, conflict, goals, emotions, scene structure, style, POV, critique, everything. It’s become much easier to recognize good writing and knowing where the writing is weak. That’s what drove me crazy about NaNoWriMo this year…the knowledge that I was writing crap. But as far as Steam Palace, I do feel like I’m on the verge of publication…or at least a lot of polite rejections. So while I don’t feel like I have “succeeded”, I do feel like I’ve done everything I’m supposed to be doing. I have a solid, well-written manuscript that will be done by Jan. 20, 2011 come hell or high water (or any number of disasters).

So if I was my own boss (which I am), I’d give myself an overall passing grade. I think this coming year will be the real test, when I put myself on the line and submit my story. More details about 2011 in my next post.

So aside from missing most of my goals (which I expect anyways since I know that my plan is flexible to take advantage of opportunities/adjust to setbacks) I think I‘m doing well.

Happy New Year!

Friday, December 3, 2010

Every New Beginning…

…Comes From Some Other Beginning’s End

Seneca the Younger
Semisonic, “Closing Time”

GWT_logo_final_clr_hiresNaNoWriMo is over. Let me say a couple more things to add to Monday’s analysis. I really don’t think I’m good at writing Mystery. Furthermore, I don’t think I’ll be writing mystery again. And this is why:
In my last post, I wrote this observation:

  • Falling in love with my characters. I have a tendency to fall in love with certain types of characters (mostly female) and then they start to take over the story because I just want to write about them and give them larger roles than they probably deserve.

Then this thought struck me. Why not just write a story with all female characters? Then I could not worry about it.

BOOOM!

Within an hour, I have an entire world, characters, settings, conflicts, everything. It just avalanched out of control. Imagine an isolated planet far in the backwater of the galaxy. The original settlers had a small problem…a faulty Y chromosome cause most infants to be born girls. For countless generations, they’ve formed a highly structured matriarchal society with wars and walled cities. Now zoom in on one city, a high school, a girl, someone immersed in their world’s struggle for survival as males grow scarcer every generation. (Okay, yeah, it would be kewl to be a dude in this scenario, but I’m not trying to write a mantasy here).

One day, our heroine meets a boy her age…practically the only boy her age in her entire city of ~100K…and things explode from there.

I wanted a short story. But my ideas are never small. I don’t know where this idea is going. Right now I’m working on a “journal” concept, that my Heroine is writing assignments for a school writing project, therefore she’s “required” to include backstory in her journal (see I how squeeze that in?).  I’m hoping a few of those could be stand-alone stories. I’m feeling about ten times more energy about this story than I ever felt about the mystery. While it was a nice break to write a contemporary story, I need to stop kidding myself. I’m a science fiction writer, I always have been, and I always will be.

I am going to try to write this with YA in mind. She’s 16 in earth years, and has serious concerns about her life. She’s been slotted to be a warrior, but has never tasted combat. She’s not into the dating scene, but new emotions will surface once she meets the boy. So it’s a coming-of-age in an insane world full of cutthroat bitches and man-hungry hostiles who will stop at nothing to steal your city’s man supply. (It’s really not a mantasy, I swear! The men are treated like prized pigs.).

Oh, and one last thing. My heroine has a cloudy past. The beginning of this mystery (hey, Mystery!) will be revealed one day in science class when she discovers that she’s neither XX nor a feminized XY with a faulty SRY gene. She’s OO. WTF?

I call this concept, “Girl World.”

But I have this small teensy tiny problem. Remember good old Steam Palace? That 120K word tome set in an alternate New England where Sophia Stratton has to defend her country from the mad Reichland Emperor? Well, in a fit of insanity, I signed up for the Writer’s Digest Conference in NYC January 20-22. That includes an agent session where I can pitch my book to tons of agents. Do you know what that means?

Steam Palace and my query letter must be completely finished and in manuscript format by January 20. Holy shit. What about Girl World? What about Christmas? I am really in the deep doo-doo now.

So from NaNoWriMo’s end comes a new beginning, but I haven’t even finished my last new beginning. I better get paid for all this. Fortunately airfare is dirt-cheap ($220 round-trip SEA-NYC) and I found a coupon code for the convention so I paid even less than the early-bird rate.

So wish me luck, I’m going to need it.

Monday, November 29, 2010

NaNoWriMo Post-Mortem

NaNoWriMo Post-Mortem

nanowrimo qualityFor this year’s NaNoWriMo, I decided to go a different route. Instead of continuing Steam Palace, I decided to use a concept that I had been toying with for years. I wanted to focus on the story of this brilliant detective who’s completely incapacitated, but it turned into something more akin to my first couple NaNo stories, the 30 Days series. More action than mystery, more plot than characters.

First, the facts:
Final Title:
Dead Air: An Archie Magnuson Mystery
56,937 words, my lowest output in 4 NaNo’s, but still a “winner.”
Actual days writing: 25
2,200 words/day, compared to something like 3,200 words/day last year
47 “Scenes”

My goal was lower this year. I was aiming for 60K, so I timed my book accordingly. My 80K first draft last year swelled to 120K by the time I finished 3 revisions. So using the same math, my 56K book may wind up around 84K, not a bad size.

But overall, I’m just not satisfied. I think I know some of the main issues that I fought against this year: Note that most of this stuff I was aware of while I was writing, but I just turned off that damned inner editor and went with it.

  • Not enough time spent planning/plotting. By the time I hit Act IV (of five), I was really lost. Usually this is the most fun part of the book to write, but for me it was a death march. I just plodded forward, forcing events instead of letting them happen.
  • Not taking it seriously. Last year I knew I was writing a novel to publish. This year I was “experimenting” with a new genre. I don’t really think I loved writing Mystery. It’s a lot of work, a lot of detail, and pantsing this kind of thing just doesn’t work. I think I can make this work, but not under these constraints.
  • Falling in love with my characters. I have a tendency to fall in love with certain types of characters (mostly female) and then they start to take over the story because I just want to write about them and give them larger roles than they probably deserve.
  • Lack of Villainy. This problem plagues me. My villains just aren’t bad enough. Yeah he’s a bastard but he doesn’t really do that much bad stuff. I want to create someone the reader wants to throttle, not just be annoyed with.
  • Distractions. Going to a 3-day con in the middle of NaNo was a bad idea (for NaNo…made a few industry contacts for Steam Palace, might post about it). Also, you know what really sucks? Getting sick. I picked up some kind of crud at the con and I’ve been sick ever since. It’s incredibly hard to write when you just want to go back to bed.
  • Why? That’s really basic. I never really answered this. Why did anyone do anything they did aside from me wanting them to? What were their motivations? Backstories? And why should the reader care about any of it?
  • Telling. Well, I’d been in full edit mode for a year, so switching back is hard. It took almost 3 days to just drop the editorial voice inside my head and just write. The problem with this is that so much crap comes out that it’s almost not worth it. Out of all the issues listed above, this is the one that really kills me. This is why if I do a revision, it will be a complete rewrite, just like I did with Steam Palace. Not a single line will remain. And it will take me longer than 25 days.

I’m not sure going forward that NaNoWriMo is the best way to draft a novel. Especially this year when I couldn’t devote as much time as I’d like to plotting and even writing it. But I guess so far I’ve only highlighted the negatives, so here are some positive things:

  • I won! ‘Nuff said. Gimme my damn badge!
  • I have a full draft of a new novel in a new genre.
  • I took a risk. I’m not sure it will pay off in this case, but it’s something.
  • Many good characters/potentially good characters.
  • A couple interesting plot twists
  • Potentially compelling conflicts.
  • Lots of series potential. It only takes one book to sell a series.

So I guess I’m giving myself a mixed grade this year. So what will I do from here? Probably shelve it. I could also do a quick 1-2 week edit and throw it up on some sites to get feedback. But right now I really need to work on selling Steam Palace. I also have a few deadlines for conference submissions.

I hope everyone had a good NaNoWriMo, see you next year!

Saturday, October 30, 2010

Caprica, Good Riddance

Caprica, Good Riddance

WTF JUST HAPPENED??For once, I’m not disappointed when SyFy cancels a series before its time. Caprica is now thankfully put out of my misery. But let this be a lesson to all the writers out there as an exemplary example of how NOT to write. Let me demonstrate many of the missteps that defined Caprica’s demise.

  1. Broken Promises
    I don’t know if I got this impression from promos or from early episodes, but I was promised to learn the origin of the
    Cylons. That’s literally all I cared about. I wanted to see early Cylons,”By-your-command” and all that. Cylons. Not weird religions and terrorists. Not corporate politics. Not marital difficulties. CYLONS. Where the fuck were the Cylons??
    When you make your readers a promise, in other words, you set an expectation, you form a “contract” with the reader/viewer. The same thing happened in
    Battlestar Galactica. “They have a plan.” What plan?? We never found out. Compare with “I’ll be back.”
    DO NOT BREAK YOUR PROMISES WITH THE READER/VIEWER. DELIVER!
  2. Lousy/Non-existent Setting, Bad World Building
    Umm….why does Caprica look exactly like Earth? Everything except the alphabet is identical. Are sets really that expensive? When they went into a CG world it was much better, but overall, there was absolutely nothing interesting or intriguing about the setting. Not only that, but none of the tech really made any sense. It was inconsistent and self-contradictory, some hi-tech, some ridiculously low-tech. I had a hard time suspending disbelief.
    I DON’T READ/WATCH SCI-FI (or SyFy)
    TO SEE MY OWN BACKYARD! BE CREATIVE!
  3. Flat Characters
    I didn’t get it. Girls as monotheistic terrorists? Really? Why? I didn’t get any of it. The girl-turned-pre-Cylon Zoe sorta sat around and did nothing…and still does very little. You’re a goddamn Cylon, start wrecking shit! Yeah, it took Anakin 3 damn movies to turn in Darth Vader, but Anakin was driven. Zoe is just boring as hell. It’s like a bunch of talentless gamers wrote this thing after an all-night WoW battle. Really? She’s the mother of all Cylons? REEALLLY????
    YOUR CHARACTERS DRIVE THE STORY! IF THEY DON’T CARE, NEITHER WILL THE READER/VIEWER!
  4. Random Subplots
    I literally have no idea what they were trying to achieve in Caprica. I thought it was about Cylons, but there’s terrorists, businessmen, Taurons (rhymes with morons), and really no one I cared about. Yeah, the subplots had some drama, but so what? They didn’t matter. All that mattered was that the Cylons will destroy their world. Cyyylllonnss. Ass-kicking terminators.
    STICK TO THE POINT. MAKE SURE YOU HAVE A POINT. THEN MAKE THE POINT!
  5. Relativism
    Stories are allegorical. Caprica wasn’t. The sad thing is that I could see them trying. Terrorism. The internet. Virtual reality. Let’s just mix these all up and see what happens. I really love it during cooking shows when the contestants pull ingredients out of the hat and make a dish. Sometimes it’s great, sometimes horrible. To me, Caprica illustrates the latter, a random assortment of good ideas that produce disgusting slop.
    MAKE THE STORY MATTER(relevant) TO THE READER/VIEWER. THE STORY IS ABOUT THEM, NOT ABOUT YOU. IF THEY DON’T “GET IT”, YOU WILL BE CANCELED (not be published).

I hope this illustrates how a perfectly conceived piece of creativity can turn into utter crap. When working on NaNoWriMo or whatever your next project is, keep this lesson in mind. It’s perfectly fine (and expected) to have any and all of these issues during your first draft, so don’t sweat it. Just don’t let them get into production/print.

Friday, August 13, 2010

Critique Freak

Critique Freak

catfight-758695 Okay. I’m going to tell you a little story about what happened during an in-person critique group I attended last night, then at the end, I’m going to introduce you to my “Two Laws of In-Person Critique” that I hope everyone will consider adopting for their own groups. These laws were massively violated with horrible consequences.

I was sitting at a table with two ladies, let’s call them “Mary” and “Sue.” I had not been to this particular group before except as an observer about a year ago. Mary had written a literary piece. It had little plot, but it painted a portrait of three people. It was eloquent, obscure, and a little rambling. But it was “literary,” a genre that I repeatedly told her that I was not very experienced in. My personal observation (that I never really got to tell her) was that it was mostly backstory and that I wanted to know the general conflict of the story before I knew the why’s and wherefore’s. Get me to care about the characters first before explaining them.

But anyways, Sue decided essentially that the piece sucked. It had no plot, it was meaningless, blah blah blah. Mary countered that Sue just didn’t understand, that Mary had X years of teaching creative writing, that the piece we were reading had won an award, and Sue was full of shit. So Sue countered that she can’t believe a creative writing teacher could write such crap. Fun stuff, no? I literally thought it would come to blows. It ended with Mary running off in tears, and when she got home, she wrote a nasty note to the group leader and left the group.

So here are my laws, which hopefully will demonstrate exactly why this ended poorly.

The Two Laws for In-Person Critique

1. Never Defend Your Writing

Here’s what happens: You hear something negative about your piece. Criticism. Disdain. Who wouldn’t want to correct or fix the critiquer’s perception of the piece? So you defend it, arguing that you are correct, and the critiquer is wrong. All that does is make the critiquer fight harder to prove their point. If someone says something blatantly useless about your piece, or has no clue how to critique your genre, just thank them for their effort. Hey, they tried. People come to these groups to improve both their writing and critiquing, and put a lot of effort to try to understand what they’re reading. Sometimes they fail. I myself knew I was highly unqualified to critique this piece. I told Mary many times that I probably wasn’t doing it justice.

Now this doesn’t mean you can’t discuss your piece, or find a way to help the critiquer understand your genre and what you’re trying to accomplish. Just don’t feel you have to defend anything you’ve written. If someone doesn’t like it or understand it…fine. Move on to someone who can truly connect with your writing.

2. The Author is Always Right

I just don’t understand why critiquers have a problem with this concept. The author wrote it the way they wanted to write it. They understand what the story is about, and what they’re trying to accomplish. This is even more important when you only receive a small portion of the entire piece to critique. If you give the author some feedback and they get defensive…don’t try to prove your point. If the author doesn’t “get it”…fine. It’s not your problem. As a critiquer, you’re never going to get to be right about what you’re reading, except in your own head. You have at best an uneducated opinion about something you know little about. Know your place. Now if the author wants to discuss some of your feedback, that’s fine and encouraged. But if the author gets huffy or defensive or argumentative, then move on. It’s not worth it, and an argument helps no one.

Realize that the author has spent countless hours on the piece before you received it, and you’ve probably spent 30 minutes. By offering the piece for review, the author is establish a trust with you that you will do your best but no more. When it’s all said and done, the author is the one who lives with the piece, not you, and they are the one who ultimately determines what works and what doesn’t, not you.

I hope this illustrates what went horribly wrong last night. I’m shocked that someone with literary teaching creds didn’t know how to shake off a poor critique, but Sue just wouldn’t let it go either. I really hope neither shows up again to this group, because I don’t care for the drama. Except that it makes for good blog fodder.

Remember, we’re all in this together.

Monday, June 21, 2010

Revision Indecision

Revision Indecision

ThelmaLouisejump Well, I powered my way through to the end of Act II of Steam Palace. Here’s the thing. I can plot ‘til the cows come home but as soon as I touch pen to paper (type the first letter) it all goes runs off the road like the car above because my characters are unpredictable. They will do something unexpected, and I’ll go, “well that’s much kewler than what I had plotted…let’s run with it.” Sigh.

In Draft One, I knew what my main character Sophia (called Prudencia back then) wanted. Her family was in chaos, and she figured if she married into a good house, then—like magic—all that would be fixed, so the story was about her drive to become Duchess despite all the crap that she had to endure to achieve this goal. Nice, clean, focused.

Now onto Draft Two. Same beginning, same idea, same goals. Except this new character Viola pops up. And like the proverbial monkey wrench into the gears, Sophia’s lofty goals have been destroyed. Viola’s mean. She’s slutty. She’s psychotically dangerous. And she’s Sophia’s twin sister. What? Suddenly the whole novel has shifted from the story of Sophia restoring her family status to her bond with this woman who represents everything Sophia does not. Yes, I’ll say it and fuck me for writing it: Viola is Sophia’s Evil Twin.

The thing is, Sophia hasn’t changed between drafts. Her real true goal, the restoration of her family, remains intact. The world of my story has changed. Her family is not just her older sister and her mom. It’s now this other person. And then when Sophia finds out she’s adopted (well…stolen), her whole family concept is thrown into chaos. What the hell is her family? Who is she? She cannot become Duchess now. It’s like Draft One was a perfect dream of hers which now lays in ruins.

So what happened? How did I completely ruin a perfectly good plot and now sit here wondering how the fuck am I going to finish this story? Sophia’s association with Viola has completely corrupted her to the point where at the beginning of Act III, they are both on the lam ala Thelma & Louise, running for their lives. Miss Prim and Proper Sophia Stratton…a fugitive. My plot has completely run off the rails. I’ve been sorely tempted to put my foot down and stop writing until my characters behave. I’ve even threatened to end the book right here. But it’s my own fault. I listened to some writing advice about adding “conflict” and “tension” and “fix the sagging middle” to the story, and now it’s an irresolvable mess.

I guess the thing I need to do is figure out what the hell Sophia wants at this point.  She wants some semblance of normality to her life. She has to find a way to make this all right. Her country is about to be invaded by two neighbors fighting for control. Her sister Viola is being hunted for murder (which she did commit), her friend Thomas is suffering the aftereffects of a leg amputation, the Duke wants them dead for messing his plans up, and she herself is wanted for committing terrorist acts (which she did do as well…no “innocent parties” here.). She has to fix all this. Everything she’s grown to care about is being threatened. And it’s kinda her own fault.

And what the hell happened to my Original Idea? That this would be some kind of love triangle story between Sophia, the Duke, and Thomas? She’s thrown all that out because of Viola, and now it’s a buddy story. Poor Thomas, he’s really getting the short end of the stick here. There is a cute scene where he spends a day with Viola convinced she’s Sophia suffering some kind of brain ailment. She tries to tell him she’s not Sophia but he won’t listen. But I digress. Thomas is now relegated to the side, poor guy.

What is this book about? Where is it going? What is the resolution? I have no idea how Sophia’s going to navigate through all this. But the thing is, I will figure all this out, and the result is going to be incredible. At last count I had 25 threads (or story promises) left dangling. I probably can’t close all of them, but I am going to try. And I realize I am going to have to do this before I start edits because I don’t know what’s going to have to change to make the ending work.

Wish me (and Sophia) luck. We’re going to need it. Otherwise I think me and her will be sharing that car up above.

Thursday, January 14, 2010

Armageddon Cookie – Friday Flash Fiction

Armageddon Cookie

cookie There was no denying it. An asteroid hurtled towards Earth on an unstoppable collision course. Recriminations flew—how could such a threat exist undetected? Or was it? Are there evacuation plans?Who gets to live? Who knew what and when? Why weren’t we told?

Rioters burned NY and DC to the ground. All over the planet, law and order disintegrated as this devastating day approached.

My wife and I sat watching what little TV programming remained—pray-ins, mass suicides, tearful celebrities hugging each other, and live feeds targeting the approaching menace. Judgment Day was here, there was nothing left to do but cry or participate in the local sex-and-death orgies.

“Any last requests,” I asked her. Her eyes had darkened from days of crying and sleeplessness. We had run out of food—there was no one willing to distribute or sell it, not even at gunpoint.

She shook her head, then grabbed my hand. “Yes. There is one thing. Before it’s all over, I want—I want a fresh-baked chocolate chip cookie.”

I blinked. “What?”

“That’s what I want.”

“Seriously?” We sat quietly.

“Yes. Please, can you go get me one?”

“You want me to go out, hours before The Strike, and find you a cookie?”

“Yes.” She stared at the floor. “You asked. That’s what I want. That’s my last request.”

I swallowed and looked at my watch. I flipped through the local channels. Gangs with guns or worse roamed the streets in an torrent of senseless violence. “I might not return.”

“That’s okay. I mean—” she quickly corrected, “that would be terrible, but I’d understand.”

I sighed. What else could I do? I didn’t want to go out of this world with my wife mad with me. So I threw on my jacket, jumped into the car, and headed towards the nearest shopping center.

The roads were suicide. No one obeyed a single traffic rule. Speed demons flew by, testing the limits of their vehicles. Many twisted cars lay in the ditch, some with bodies still inside. People hunted people, the ultimate rush. Couldn’t we just die with dignity? Must we revert to savages? Ahead of me, a group of youths surrounded a car, shot the driver, and stole the car, only to wreck it a block later. I turned onto a side street.

The mall looked like a war zone with smoke pouring from burning cars and buildings. The windows stood like gaping caverns, the glass gone. I tooled the car around, trying to find some sign of civilized life. I flipped on the radio. Some stations featured an automated countdown, so there was no mistaking the moment of impact. I found one station advertising an “end of the world” concert, featuring top rockers—and food! The mall seemed too dangerous, so I decided to check out this concert.

Big mistake. The roads had become littered with abandoned cars. Thousands of people converged on this end-of-the-world mayhem. After becoming trapped, I left my car and followed the crush of people. The crowd defied description. Drugs, nudity, gang rapes, gunfights, all next to a blaring amplification system. The concessions consisted of little more than cold hot dogs and government cheese—and barrels upon barrels of beer. No one cared about the atrocities. Since the asteroid would impact across the globe from us, we wouldn’t even die in the initial blast. They said we might even hold out for a day or so, until the Earth opened up and covered us with lava, or searing winds blew us away, or the sky filled with flaming fragments of rock. It wouldn’t be pleasant...so maybe a bullet to the head wasn’t so bad.

Then, in the far corner, I found them. Well, I smelled them before I saw them. Fresh baked cookies. I forced myself through the crowd, and stuffed them in my pockets and shirt. I bolted from this madhouse, shoving my way through the throng, wishing I could unsee some of the cruel images I had witnessed.

I located a car with keys and a clear exit. I drove it away, but a gang of youths chased me, pulled me out through the window, and beat me like a dirty carpet. I figured that this was the end, that I would never see my wife again, but a rival gang started shooting at them so they fled. And did I mention? They stole all my hard-earned cookies.

I picked myself up. My watch was broken. I had no idea how much time was left. I wondered if I could grab some more cookies, but time grew precious. I stumbled back home, a good six miles away.

I won’t detail that miserable journey. Suffice it to say that when my wife unbolted the door, I collapsed at her feet, bleeding, dehydrated, but alive.

“I’m sorry,” I gasped. “I had them, but I was jumped. I’m so sorry. How much longer?”

She helped clean me up, and brought me our last bottle of water. “Not long. Thank you for trying.”

We sat down, watching the final minutes tick away. Cameras in Dubai televised the approaching rock, clearly visible like a little oblong moon that kept growing by the minute.

“Why did you want a cookie so bad,” I finally asked, breaking the silence.

“I kept it,” she said.

“You kept what?” Then it hit me. The first time we met. It was so casual. I had made cookies, and brought them to a party. I offered this beautiful girl one, and she accepted. Had she kept it, all these years?

She produced the cookie from its bag under the couch. “I thought you’d rather eat a fresh one, but this one will do. I’ve been saving it for a special occasion.”

We split the rock-hard cookie, and each placed a piece in our mouth.  When the countdown hit zero, the sky over Dubai grew impossibly bright. The feed died. I held my wife’s hand, chewing the last morsel of food to ever touch my lips.

Friday, January 1, 2010

2010 Goals and Resolutions

goalsI’ve been thinking about this whole Goal and Resolution thing. Looking back, I had no way to predict where I’d be today back on Jan. 1, 2009. That’s part of the creative process, it can’t be predicted, only channeled. I don’t know where I’ll be at the end of this year. So I guess my question is, “what will make me happy when I look back on January 1, 2011?” (career-wise)

First and foremost, I want to know that this whole “writing career” thing is progressing. I want to know that all this effort and sacrifice is getting me somewhere. If I don’t have an agent or a publication deal, then I should feel like it’s just around the corner. If I’m not better off than I am right now, then I really will reconsider this whole thing. Not that I shouldn’t reconsider it right now…but I know I’m still improving and learning all the time. I kind of see the process unfolding in front of me, but I want to see it to completion. And make some money.

So I’ll write some things down, but, what I really want is to feel some measure of success by the End of the Year.

2010 spaceFirst, let’s distinguish between Goals and Resolutions. Goals are quantifiable and measureable. Resolutions are just good intentions. However, I reserve the right to revise both goals and resolutions due to changing circumstances. It will be interesting to see how close I come to them this time next year.

Resolutions.
I, Iapetus999, resolve in 2010 to:

  1. Be a better father and husband. Spend more “quality time” with the family.
  2. Eat healthy and exercise. Get back to the gym and the pool.
  3. Stay focused on my writing and not get too distracted by blogging.
  4. Increase the amount of critiques I do.
  5. Clear all the clutter out of the house.
  6. Try to avoid disasters.

Goals

  1. Lose weight. Here’s the plan. On Jan. 4, I will “re-start” my diet with two weeks of “induction.” That means no beer, caffeine, or carbs for two weeks. No comments, please. My goal is to lose 8-10lbs in January, then ~5lbs/month until I’m down to my goal weight (200).
  2. Complete the current Steam Palace revision by April 1. This will be hard since I’m already 2 weeks behind due to holidays. Which gives me 13 weeks to finish a 19-week plan.
  3. Attract an agent and/or publisher for Steam Palace. This implies that I actually send out queries (gasp) and/or manuscripts.
  4. Get back into running (tendonitis permitting). I want to build to my weekly goal of 25 miles, and complete a half-marathon by EOY. This may require that I lose the bulk of the weight first, because I suspect losing ~30lbs will help the tendonitis a lot.
  5. Write a new book for NaNoWriMo. Who knows what it will be. This also means I need to start plotting around Sept 1.
  6. Complete a draft of The Immortals. It’s a very complicated story with a more detailed world than anything I’ve done before.
  7. Go to at least one writer’s conference.
  8. Go to at least one convention where I can push my novel.
  9. Take a vacation at some point. (or is writing all day a vacation in itself?)

That’s probably more than enough. Good luck to everyone in 2010!

Saturday, December 26, 2009

2009 Year End Review

2009 Year End Review

sad lolcat Well, it’s been a very long year for me and my family. One could say that this year was just one disaster after another. Maybe not as bad as 2006 when a tree fell on our house nearly killing us in our sleep, but this year, we never seemed to catch a break.

Let’s see, where do I begin? Oh yeah, it all started when I lost my job in March. Here’s my “self assessment” I wrote in Sept. 2008 which was essentially the “writing on the wall”:

Well, today is self-assessment day.

It's been pretty depressing. I don't think I've done very well since I came here. I really like the place and all the benefits. I like being in the forefront of technology. But let's face it: I've changed. I'm not the guy I was 20 yrs ago out of college, full of energy and ideas. I'm tired and unfocused most of the time.

I have trouble learning new things. I have trouble adapting. I have trouble working things to completion. My manager seems to talk to me every so often about how disappointed he is with my progress. He's very nice but pedantic about it.I took a look at the part of the self assessment that states "list 3 strengths." I couldn't think of one.

So you see, I kinda saw it coming months in advance. Honestly, my heart wasn’t in software anymore. So I cashed in a lot of assets, managed a decent severance, and off I went into my new “career”.

Things got worse from there. On the night of July 4, my wife slipped down some stairs and fractured her leg. Fortunately, insurance covered most of the $60K surgery/hospital stay expenses. Of course this was right on the heels of my own hospital stay for some still unknown stomach ailment. Then for the Pièce de résistance, in November, my wife hit some road debris and rolled the car, totaling it.

On top of this, it seemed like every thing we owned died and needed repair or replacement this year. Ready for this list? In no particular order:

  • Central Air Conditioner – Needed new fan unit
  • Central Heater—Needed new core
  • Truck
    • A/C died
    • 2 major front-end repairs (a seal and a hub)
    • Brakes
  • Computers:
    • My Netbook died—needed to RTM twice
    • Kids desktop HDD died
    • Wife’s laptop fan died
  • Outside freezer died
  • Dishwasher died
  • My car’s stereo is dying (haven’t fixed yet)

And just this weekend, just to show that 2009 isn’t done trying to kill us:

  • Small under-bar fridge died (waiting for huge ice block inside to melt
  • My watch band broke

Not to mention the fact that my heel tendonitis has bothered me all year, preventing my from running like I’d like to, and that I’ve gained at least 15lbs this year (which doesn’t help my tendonitis). I think I ran 2 races this year (including my first triathlon). Every time I build my mileage back, the tendonitis returns. I don’t know right now if I’ll ever be able to run more than ~15 miles/week. I need around 25 to get “in shape.”

So. Has anything good happened this year? The kids are doing well. My wife’s foot is recovering. We have a new car and new appliances. No deaths in the immediate family. My sister had a baby. We found some expensive jewelry that had been missing for 7 years. And I think I’m off to a decent start on my writing career.

how to write a lot

2009 Writing Review

I spent most of the year working on Dawn’s Rise. It had already gone through a round of revisions, but I wanted to make it publishable. I spent almost six months on this revision. I learned a ton about writing, but the revision didn’t really go anywhere because I was focused more on the details than the big picture. I eventually realized that the whole book needed a rewrite because the entire story structure didn’t work. After spending so much time on it, I put it aside, knowing I had at least another six months of revisions ahead of me.

Meanwhile, I had started working on another WIP I call The Immortals. I wanted to challenge myself to write a Fantasy-type novel, and to give myself something else to work on to take a break from Dawn’s Rise. I wrote out about 80K words on it, but like DR, it kind of petered out because it didn’t have a good story structure. It also is a huge story with a complicated world that would take me months to plot and plan to get to a point where I can proceed again. At 80K, I’m maybe 1/2 way into the story, so already my word count is huge.

In September, I came up with the idea for something I call The Lover’s Journey. When I took the concept and applied it to a woman, I came up with the germ of the idea that became Steam Palace. It’s a complete draft that I am now editing. It’s only 80K words complete, which makes revision much simpler. I think it will top out at 90K when I’m done but for now it’s my main focus.

I’ve also created a few series on my blog about writing. It’s helped me gain insight on my own writing and been well-received by the writing community.

2009 By The Numbers:

So I had a lot of crises, but I still managed to crank out a lot of writing this year. I know my writing has improved 100%, but I still have a ways to go before I’m publishable. I’ll outline some 2010 goals in a future post.

Here’s to hoping that 2010 turns out a lot better than 2009.

champagne