Tuesday, November 16, 2010

NaNoWriMo Halfway Report

NaNoWriMo Halfway Report

nanowrimo fireWell, so far, so good. I’m sitting here at the halfway point of with 32K words, my target being ~60K words. Unfortunately, my four “days off” are coming soon. I’m going to be at Steamcon Fri, Sat, and Sunday this week, and next week I traditionally take T-day off (but make up for it on Black Friday in an all-day writing spree). My pace is well under last year, especially considering that my wife wrecked her car last November and I lost a lot of time due to that…and I still finished 5 days early. This year my target is lower, and I’ve been working on a couple other things.

So storywise, it’s interesting. I’m writing a completely contemporary mystery, no Sci-Fi, no secret agents, just everyday people. Okay, there’s a mad scientist. D’ohh! Well, I never worked a good mad scientist into Steam Palace, so I guess some of that rubbed off. But still, it’s not science fiction, I promise.

I’ve stuck fairly well to the storyline. There have been a few characters that I created who I’ve never used, and a few that are creeping out of nowhere to take prominent roles. The plot has more holes than a gun range target, and it’s not all that close to what I started with, but I kind of expected that.

Here’s the thing to remember as you draft. Don’t let your plot run the story. Characters should always drive it. Emotion. Fear. Anger. Love. Week 2 is always the hardest week, because once you’ve introduced the characters and the world, then what? I had in mind a scene where my detective and the damsel in distress are in a car and the car flies off the road into a lake where they almost die. That was my goal. But that was plot. I had to know why they were in that car, why no one else was in it, and where they were going.  (I had a couple of near-drowning scenes in the first draft of Steam Palace that didn’t make it into the second…again when I have ideas I’m determined to use them).

So with that scene in mind, I started creating complications. Intrigue. Questions. Characters who acted unexpectedly. Relationships develop. When I finally hit that critical scene, now the whole rest of the story is unfolding. I now a vision of the final climactic scene, the “reveal” as it were. That scene will be the driving force for the next 2 weeks. That’s the make-or-break part of the book. That’s when my hero will be tested and he’ll know once and for all who his true friends are, and whether he has what it takes to be a true detective.

The other thing was that whenever I got stuck, I just think of another scene to write, something where two characters interact in some way.  I don’t know how, but it just sort of works. This is why you have to just rely on your characters. Give them strong goals and motivations, and let them do their own thing, even if it takes your story somewhere else. That’s the beauty of NaNoWriMo, you never know what you’re going to get.

You’re over the hump, and it’s all downhill from here!

Wednesday, November 3, 2010

To Climb the NaNoWriMo Mountain

To Climb the NaNoWriMo Mountain

ToTheTop3Okay. I know a lot of you are heads-down in the midst of NaNoWriMo. Others have decided to pass. Either way is fine with me. Apparently, it’s not fine with everyone.

Laura Miller, senior “writer” at Salon.com (yeah, I meant the quotes), who admittedly “as someone who doesn’t write novels” has this to say among other things:

…far more money can be made out of people who want to write novels than out of people who want to read them.

…why not direct more attention, more pep talks, more nonprofit booster groups, more benefit galas and more huzzahs to readers? [emphasis mine]

But even if every one of these 30-day novelists prudently slipped his or her manuscript into a drawer, all the time, energy and resources that go into the enterprise strike me as misplaced.

(read it all here)

Okay, first point…writers are poor. They aren’t the world’s greatest demographic. I’m pretty sure writers don’t target other writers for their books. (just critique ;)

Second point…you mean like book tours, speaking engagements, posters in supermarkets, which all generally cost more than the book takes in? Okay, quick fact check. I did a local search on Meetup.com for local writing clubs. It found 43. Now for local reading clubs. 126. Look! 3 times as many results! Hey, let’s check Google. Writing Club: 46M. Book Club: 199M. Also…Google has a whole frickin’ app called “Books.” Where’s the Google writing app? (Oh yeah, Docs…but it’s blank until you write something).

Lastly…“misplaced”?? WTF? Why do anything then? Why plant a garden if it dies in the fall? Why finish a jigsaw puzzle if you just break it up and put it back? Why have kids if they just grow up and have their own families? Why breathe in if you’re going to breathe it out again?

People like Laura Miller don’t “get it.” They don’t have the spark of creativity, so they can’t appreciate it in others. Why build crap? Why write 50,000+ words that you will just throw away? What if Picasso stopped after his first crappy painting? What if Mozart stopped after his first off-key note? Yeah, are all 170,000 participants in NaNoWriMo the next Mark Twain? No. But…yes. They are. They are the seeds of something greater, that when cultivated may grow into a story for the ages. Sure, maybe you wrote 50,000 words of crap, and tossed it away, deleted the file, whatever. But you are not the same person you were before. You’ve changed. You’ve learned. The next 50,000 will be better. The next 50,000 better still.

A couple years ago I spent all my free time training for a summit climb of Mount Rainier. Every weekend was a massive hike. Every day another workout. For 8 months. And then, when all was said and done, I didn’t make it all the way to the top due to altitude sickness. Was all that time wasted? Was the money I spent on gear and training and the expedition misplaced? What do I have to show for it? Well…I have nothing. BUT. I climbed to 11,000 feet. That’s 11,000 feet more than most people have ever climbed. Will my NaNoWriMo novels ever be published? Or will they fall short? Am I just wasting my time, pretending that I am something I’m not? Are we all just wasting our time?

Here’s the thing. No one writes because they are forced to. People write because they’re driven to write, to say the things that no one else can. Here’s one last thing Laura Miller said, and it’s something you should all think about:

Frankly, there are already more than enough novels out there

Maybe. But there’s a problem. You see, there’s one book missing. One book that really connects with you on a personal level, one book that changes things, one book that tells the perfect story.

Yours. And you’re the only one who can write it.

Now get writing!

Saturday, October 30, 2010

Caprica, Good Riddance

Caprica, Good Riddance

WTF JUST HAPPENED??For once, I’m not disappointed when SyFy cancels a series before its time. Caprica is now thankfully put out of my misery. But let this be a lesson to all the writers out there as an exemplary example of how NOT to write. Let me demonstrate many of the missteps that defined Caprica’s demise.

  1. Broken Promises
    I don’t know if I got this impression from promos or from early episodes, but I was promised to learn the origin of the
    Cylons. That’s literally all I cared about. I wanted to see early Cylons,”By-your-command” and all that. Cylons. Not weird religions and terrorists. Not corporate politics. Not marital difficulties. CYLONS. Where the fuck were the Cylons??
    When you make your readers a promise, in other words, you set an expectation, you form a “contract” with the reader/viewer. The same thing happened in
    Battlestar Galactica. “They have a plan.” What plan?? We never found out. Compare with “I’ll be back.”
    DO NOT BREAK YOUR PROMISES WITH THE READER/VIEWER. DELIVER!
  2. Lousy/Non-existent Setting, Bad World Building
    Umm….why does Caprica look exactly like Earth? Everything except the alphabet is identical. Are sets really that expensive? When they went into a CG world it was much better, but overall, there was absolutely nothing interesting or intriguing about the setting. Not only that, but none of the tech really made any sense. It was inconsistent and self-contradictory, some hi-tech, some ridiculously low-tech. I had a hard time suspending disbelief.
    I DON’T READ/WATCH SCI-FI (or SyFy)
    TO SEE MY OWN BACKYARD! BE CREATIVE!
  3. Flat Characters
    I didn’t get it. Girls as monotheistic terrorists? Really? Why? I didn’t get any of it. The girl-turned-pre-Cylon Zoe sorta sat around and did nothing…and still does very little. You’re a goddamn Cylon, start wrecking shit! Yeah, it took Anakin 3 damn movies to turn in Darth Vader, but Anakin was driven. Zoe is just boring as hell. It’s like a bunch of talentless gamers wrote this thing after an all-night WoW battle. Really? She’s the mother of all Cylons? REEALLLY????
    YOUR CHARACTERS DRIVE THE STORY! IF THEY DON’T CARE, NEITHER WILL THE READER/VIEWER!
  4. Random Subplots
    I literally have no idea what they were trying to achieve in Caprica. I thought it was about Cylons, but there’s terrorists, businessmen, Taurons (rhymes with morons), and really no one I cared about. Yeah, the subplots had some drama, but so what? They didn’t matter. All that mattered was that the Cylons will destroy their world. Cyyylllonnss. Ass-kicking terminators.
    STICK TO THE POINT. MAKE SURE YOU HAVE A POINT. THEN MAKE THE POINT!
  5. Relativism
    Stories are allegorical. Caprica wasn’t. The sad thing is that I could see them trying. Terrorism. The internet. Virtual reality. Let’s just mix these all up and see what happens. I really love it during cooking shows when the contestants pull ingredients out of the hat and make a dish. Sometimes it’s great, sometimes horrible. To me, Caprica illustrates the latter, a random assortment of good ideas that produce disgusting slop.
    MAKE THE STORY MATTER(relevant) TO THE READER/VIEWER. THE STORY IS ABOUT THEM, NOT ABOUT YOU. IF THEY DON’T “GET IT”, YOU WILL BE CANCELED (not be published).

I hope this illustrates how a perfectly conceived piece of creativity can turn into utter crap. When working on NaNoWriMo or whatever your next project is, keep this lesson in mind. It’s perfectly fine (and expected) to have any and all of these issues during your first draft, so don’t sweat it. Just don’t let them get into production/print.

Thursday, October 28, 2010

See my Red Dress Guest Post!

See my Red Dress Guest Post!

I have a guest post up on the red dress club!
Everything you need to know about NaNoWriMo!

Go check it out!

“the red dress club” is a site for women writers…which I am not but I kinda know the hostess a little bit (okay she’s my sister). But it’s an awesome site. Check it out!

Monday, October 25, 2010

NaNoWriMo ‘10 Starts in 1 Week!

NaNoWriMo ‘10 Starts in 1 Week!

creative-murder-demotivational-posterAnd I got nothing. Well, I do have something. But I don’t yet have a plot. I have a bunch of characters, I have a crime or two, I have a couple scene ideas. But beyond that…nothing. Last year at this time I was sitting around just trying to think of anything I was missing. This time around I’m grasping for straws.

Okay, enough of the weak metaphors. There’s no reason to panic. At heart I’m a pantser, so no big deal. Sure, I’ve never written a Mystery before. And now that I’m doing it, I’m finding it incredibly complicated. Clues, evidence, leads, motives, means, it all has to be non-obvious and obvious at the same time. Every line of the story has to be about the Mystery. But I have all these great ideas about scenes that have nothing to do with solving the crime(s). And not many about pursuing the bad guys.

I’ve been reading James Frey’s How to Write a Damn Good Mystery. It’s helpful and daunting at the same time. Frey is a proponent of a “Five Act” structure dealing with the phases of solving crimes. Here it is for those who are interested:

  1. Accepting the Mission. The Hero/Detective is made aware of the crime and thinks about working it.
  2. Tests up to Ordeal. The Hero/Detective starts investigating, finding allies and enemies, and eventually is faces with a Crisis.
  3. Solves the Crime. After passing the Ordeal, the Hero/Detective figures out “whodunit” and goes after them, trying to prove it.
  4. Trapping the Criminal. The Hero/Detective faces the Criminal and finds a way to expose and/or defeat him.
  5. Standard Dénouement. The Hero/Detective lives happily ever after and the Criminal doesn’t.

Well, I kinda have a little bit of Acts I and II laid out. The rest is completely up in the air. I have ~6 days 12 hours to figure it out. Also, according to Frey, there this kind of “Act 0” which is the story of the villain, the crime, the victim, and everything that happens outside of the scope of the book. “The plot behind the plot” is what I think he calls it. What I have so far is 4 actual murders, 2 attempted murders, and some other crimes as well. Woot!

So, how is your NaNoWriMo planning going?

Monday, October 18, 2010

A New Writing Metaphor

A New Writing Metaphor

tiger miror Or maybe it’s an allegory. Anyways, I hear a lot about the peaks and valleys of a novel. Rising action, increasing the stakes, adding tension. Your Hero is climbing a mountain, and must struggle to reach the top, which is the pinnacle of his achievement.

WRONG.

Let me introduce another metaphor. To play along, hover your mouse over the links.

Your Hero starts out in a nice forest, constantly pursued by a hungry tiger, but the tiger is kind of old, been chasing him for a while. He’d like to not have that damn tiger around…think of what he could do without it always messing him up. He’s tried to chase it away, maybe even kill it, but it just keeps coming back, growling, eying him, stealing his food and eating his women.

So one day he’s out, trying to avoid the tiger, and he sees this beautiful meadow in the distance. It’s a wonderful meadow, full of flowers, little sparkling steams, and of course—not a tiger to be found. How wonderful it would be to live in such a place! But there are no roads, no paths that lead there that he can see…except through a dark, cloud-filled valley. He can’t get there. Oh well, another day, another tiger.

Later on, he meets an old man. They get to talking. The old man says, “yep, that’s a tiger alright. You sure you wanna get to that meadow over yonder?”

“Well, it’s quite tiger-free from what I can see.”

“So, what are you waiting for? But be careful, only the strongest survive the passage through the valley.”

“Is it worth it?”

“What is anything worth?”

Pissed off by the old man’s simple-formula riddles, the Hero decides to take a quick peek down into the valley. But this is no ordinary valley. You see, for every one step in, it takes ten steps to get back out. Think of place with down escalators only. Before he’s taken ten steps, the clouds close in, the sun disappears, and the top of the valley vanishes from view. Before him he sees many paths, behind him only murk.

After stumbling around for a while, the old man joins him.

“This place blows,” says the Hero. “I wanna go home.”

“Good luck. Old Mr. Tiger is sitting up there and he’s pissed that you left.”

“Fuck. Then what the hell do I do?”

“There are two paths you can go down, but in the long run, there's still time to change the road you're on.”

“Did you just quote Led Zeppelin at me??”

The old man sits on a rotten log. “Son, listen. You ain’t alone in this valley. We call this here valley, ‘The Valley of the Lost.’ Many people have come in here, escaping their own tigers. Find these people, learn from them. Some will be friends, some will be deepest enemies. But at the bottom of this valley, where it’s hot and fiery, you will face your greatest test of all. If you fail this test, you will wander this valley for all eternity, but if you pass, you will achieve whatever you desire.”

“I preferred the Led Zep to that. Fine.”

So your Hero explores the Valley, learning where there lies food and shelter, finding the company of friends and women, and mastering skills he never dreamed of. But each step drops him deeper and deeper, and the clouds fall like a shroud to block any thought of escape. Friends come and go, some stick for the long haul, others fall by the wayside. Finally he arrives at a steep precipice. Boiling wind and the scent of brimstone blast out from the crevice at the bottom.

With only his most trusted allies at his side, he climbs down the sheer rock face, hands and feet burning, each step full of peril. They make it, scarred, but still breathing.

A wispy figure approaches. “Who dares disturb my sleep?” A Dragon emerges from the smoke. “Why are you here?” With one snort he could cook them like blackened catfish.

“I’ve come to get to the meadow, where there are no tigers. Now give me my test!”

The Dragon swallows laughter. “Good one. You do know what the tiger and the meadow represent, right?”

Your Hero has no clue. “Uhh, shut up and fight. I’m tired of riddles and games. I am sick of frickin’ tigers, this stupid-ass valley, and I’m sick of you.”

The Dragon checks his nails. “Be still, my petulant one. I will grant you all you wish, but only after you perform a simple thing. It’s nothing, really. All you need to do is slay all your little friends you brought with you, and I shall set you free! Go on…start with that chubby one. Daddy’s hungry.”

The hero looks at the chubby one, draws his sword, and cuts off the dragon’s head. For a split second, the clouds part, revealing the one path out of the valley.

So our weary band of the Lost whoop and holler and head back out of the valley and make it to the magical meadow they have sought…only to find themselves surrounded by tigers.

“WTF?” says your Hero.

The tiger that has stalked him all his life approaches and speaks for the first time. Behind him are all the tigers who have chased your Hero’s friends. “Well, well, well. So you made it back. And we are extra hungry. Now in your haste to jump into the Valley, you probably didn’t notice that you could have just walked around the long way and reached here anyways. Dumbass.”

“You woulda followed me,” says the hero sullenly.

“Duh.” He places a paw on the Hero’s shoulder and breaths stinking hot breath on his face. “Now I see you have a couple choices here. First, let me take you back home. You’ll be my bitch, of course, much worse than before, but you’re used to that. Second, you could go back down into the Valley, but I’d eventually find you there. Third—“

“Third,” interrupts the Hero, “me and my merry band can kick your furry ass. We beheaded the dragon, we found our way out, and you’re no match for us.”

The tiger laughs. “That is rich. But there is one thing you are forgetting. One small detail. Old man?”

The old man steps out from behind the tigers. He hands the Hero a hand mirror.

The Hero raises it. “Is this a special weapon? Should I smash them with it?”

“No, look in it.”

The Hero looks in it and sees a battle-scarred warrior. But behind the dirt and blood, there is something else.

He sees a tiger. He gasps. He looks at his fellows. All tigers. Well, the Chubby One is more of a pussycat but you get the idea.

“So,” says the Tiger, “do you understand all the symbolism now? Do you need me to explain in tiny, easy-to-grasp pieces?”

The Hero sighs. It is all clear now. “Yes. All this time, I’ve been running from myself. In the Valley, I learned to face my fears in a controlled environment. And now I’ve returned to finally overcome myself and fulfill my destiny.”

The tiger blinked. “Uhh…interesting, but no. We’ve chased you all your life because you have the potential to become strong, and we can’t have that. We paid the old man to lead you to the Valley of the Lost, because no one ever escapes. We are not your fears, we are the Rulers of the Meadow, and you are nothing, you never were, and you never will be. Now lay down your arms and surrender before we kill you.”

The Hero took one last long look in the mirror. “I am nothing like you. And we will defeat you, and free the world from your tyranny.” He takes the mirror and smashes it over the tiger’s head, and thereby begins the final battle.

So, my good fellows, what did we learn from this? The point I was trying to make was that stories move forward always. Every step leads your characters deeper into the Valley from which there is no turning back except once great tests are passed. Look at every scene, every page. Is your story getting deeper? Give your story a topology, and keep away from any flat areas. Good luck!

Friday, October 15, 2010

WriMo SchmiMo

WriMo SchmiMo

noahs-dilemma Okay, I’m sitting on the horns of a dilemma.

Remember about 6 weeks ago I made an announcement that I would write a sequel to Steam Palace for NaNoWriMo? Problem is that I have this other idea that’s been festering in my head for a long time. It’s a detective story. Not Steampunk, not Sci-Fi, future, past, or anything. Just a contemporary mainstream murder Mystery in a local setting. (Okay, there will be high-techy stuff in there…come on).  Have I ever written a mystery? No. Not even a short, not even a flash. Do I read a lot of mysteries? No. I do watch them on TV…does that count?

So why this story? Why am I considering this crazy idea? I’m not going to talk about the specifics of the concept here, at least not until after NaNo. Suffice it to say that it’s a mother-son sleuthing duo, told from the son’s POV. Here is my reasoning:

  1. Steam Palace 2 (SP2), from everything I’ve worked on so far, is extremely complicated. Sophia meets her eviler twin. That’s going to take some doing. Not only that, but I want to do it “right”, meaning that I want to focus more on quality during the first draft, and hopefully reduce the editing load. More organized, planned, thought-through, etc.
  2. I want to build some more writing “chops” before I start SP2. I feel I am still missing some core writing skills, mostly in the area of characterization and POV.
  3. Why write SP2 before SP1 is sold/contracted? Yes, it may be easier to sign a contract with at least a first draft of SP2 completed, but maybe I’m carting before horsing. I think it’s of minimal benefit.
  4. I am intrigued the idea of crafting a short novel, 60K or so, and self-publishing it. If there’s success then maybe I follow with a full-length version I can try to go to publishers with. Or it might help sell SP1.
  5. I might be good at writing mysteries. I don’t know. But I feel the need to take a “break” from F/SF for a month. And absolutely no one in my critique groups writes them…so maybe there’s a need. (Or I’m just misguided). Whether it’s a success or not, I think exploring the mystery genre and tropes may help me in other genres.
  6. I really love the concept. I think I have some unique characters. The problem I have is creating a compelling crime with clues etc. But that’s what the next 2 weeks are for. I’ve defined all the main character-character conflicts, so now it’s more about the nitty-gritty details. I want to keep it simple and the word count low.

So maybe those reasons are wonky. I have some great thoughts for SP2, but I don’t think I’ll be ready to draft it quite so soon, it needs a lot more thought. And after NaNo, I’m also going to turn my attention to another neglected project, The Immortals, and try to figure out what to do with it. Meanwhile I am still working on marketing SP1, more about that in an upcoming post.

So as of now I am strongly leaning towards the mystery concept. This should be fun.