Saturday, April 10, 2010

Murder Scene Blogfest – Steam Palace

Murder Scene Blogfest – Steam Palace

Thanks to Anne Riley for hosting the Murder Scene Blogfest. Click through to check out the other entries!

Also, please check out these other Blogfests including the Bad Girl Blogfest!

This excerpt is from my proposed Prologue to Steam Palace, my steampunk epic novel.

BloodyKnife-716411 Laurel held her week-old infant to her bosom. Her child’s life would be hard, painful. How easy it would be to dash her baby’s head upon rocks and be done with it, rather than witness the years of suffering she would surely endure. In the upper reaches of the manor, another woman suckled another baby, one destined for a life of ease, of luxury, of comfort and security. A nobleman’s daughter, born into a wealthy, reputable house.

Didn’t her child deserve such a life? Her Lord and Lady had cast her out, ordered her back to her impoverished Native village on the morrow. Her child was an embarrassment to them, a vile reminder of their sins. How would they feel if their precious infant was raised in such a harsh environment, forced to beg, steal, and prostitute herself for her daily bread? Why shouldn’t her child have all the advantages? It hardly seemed fair, not after certain promises had been broken.

An idea hatched. She had tended both infants, and earlier, mistook her master’s for her own. Through some curious vagary of nature, the babies appeared identical. A close examination revealed differences, and surely as they matured they would grow disparate, but right now, they were as indistinguishable as twins.

Her resolve hardened. She wrapped her babe in a blanket and climbed up the spiral stairs towards the nursery. She listened outside the servant’s door, ensuring that the mother was asleep and alone. Laurel pushed the door open and crept towards the bassinet. She placed her baby down and picked up the other as gently as she could. One errant cry and her plan would be foiled. She left the room and descended the stairs, releasing the breath she had been holding. Her heart thundered in her chest. Half-way down, she encountered Nehanti.

“What are you up to, Laurel,” hissed the old crone, a woman far beyond her useful years, and long overdue to succumb to the next wave of the Olding. A scarf covered her half-bald head, and her mottled skin hung from her limbs.

“Just walking,” replied Laurel, her throat constricting. “My baby needs air.”

The crone pointed a bony finger at her. “I know what you have done. It will not stand. Return that child to her mother.”

How could she know? “Please, I beg you, think of it—an Agawam as a nobleman’s daughter. She shall be given the life she deserves, not our life of filth and slavery. My child deserves this, and you know it. They will never know.” She prayed the baby would not wake.

The crone shook her head. “It makes no difference. Your child is cursed either way. Place her back at once or I shall summon our masters.” The crone blocked her way, her sunken eyes reflecting moonlight.

The crone’s meddling knew no bounds. “No! I will not return her!”

The crone drew a deep breath to raise an alarm, but before she could release the words, a dagger plunged into left shoulder. She slid to her knees and then tumbled down the stairs, smacking the stones in sickening thuds. Laurel tiptoed after her as the baby stirred. The crone lay still.

No one investigated. Now to hide the body, to allow time for escape, for the infant could awaken at any moment. She shuffled to her room and placed the stolen child in a bassinet, and then returned to dispose of the body. She gasped—the crone had disappeared. No blood trails, nothing. She searched the servant’s quarters and outbuildings for frantic minutes, but the urgent cries of her baby returned her to her motherly duties. She packed up her meager belongings and departed the manor with the infant, never to return.

And yes, we do find out in a bit that the old crone dies of her wounds, so it is indeed murder! (not to mention kidnapping). Any comments/critiques are welcome!

Friday, April 9, 2010

Friday Flash Fiction – The Train

The Train

girl tracks “Please don’t do this!”

Susan yanked on her foot, stuck in the switch point of the train track. A faraway horn sounded, too distant yet to determine if the train rode upon these tracks, but Susan noticed a tickling vibration in her trapped foot.

The man in the dark business jacket and red tie shook his head. “We’ve been more than patient with you. Your time is up. We need to know Maria’s location, and we need it now.”

“No!” Give up her daughter’s location on the eve of the biggest trial in North Carolina history? Her testimony would put these thugs away forever. She twisted and pulled, but the mechanism held her tight. If she told them, her daughter would be dead before the evening news started.

“As I see it, you have a couple choices here. First, do nothing. Boom! Second, I think you like bend somehow and just lose the foot. You might survive the amputation. Maybe. Third, you could just tell me the name of the hotel. That’s all I’m asking. Not even the room or floor.”

“Never.” Her legs cramped, and she doubled over, gasping for air, tears streaming down her face. Her trapped foot throbbed.

“Hey look, the 2:52, right on time.” He shaded his eyes as he peered down the track. Another horn sounded, closer this time. Susan swirled around. Sure enough, a passenger train rumbled down her track.

“You don’t have to do this! I could talk to her! Tell her not to testify! She can be reasoned with. Please!” Why wouldn’t he listen?

The man sniffed. “Oh really? Hmm, let me see.” He reached into his pocket and withdrew a newspaper. He threw it at Susan’s feet. “Go ahead, pick it up. Pick it up! Look at the cover. ‘Maria Figliano to testify against Mob in husband’s killing.’ Do you really think she’s going to back down now? After all she’s been through? She is one tough broad.”

The horn tooted with more urgency. Susan yanked her foot with a supreme effort, but the tracks held fast. “You could hold me hostage. She wouldn’t want me dead.”

The man snorted. “You are really living a delusion. Tell me where she is, and we can put this unpleasantness aside. That train isn’t slowing.”

Susan glanced at the train. Sweat and tears poured down her face. The horn blasted her eardrums, and the tracks shimmied beneath her.  How had it come to this?

“Come on, Susan, talk! Talk! Or it’s all over!”

She glanced back at the train and swallowed. “Okay, okay! It’s the Grand Arms Hotel, Room 331! Now please, release me! Hurry!”

The man smiled, suppressing laughter. “Susan, Susan, Susan. You thought you could put my boss away? We already know where Maria is. In fact, she sent me.”

“What? I did what you said, now please, let me go!” The train blasted its horn again and again. He had to let her go!

The man crossed his arms and stepped back as Susan lunged for him. “You see, your daughter suspected all along that you had her husband killed, and then framed my boss. This was her idea: she leaked her location to you, and then we would test you to see if you would give her up to save your own skin. Guess what? You failed. And once she hears that you’re dead, she’ll rescind her testimony. Goodbye, Susan.”

Susan’s chest heaved. “No! No! Oh God, that bitch! Tell that bitch that he got what he had coming! Tell her—”

The train rolled past. The man straightened his tie and walked away, dropping the remote switch point control which could have spared her life.


Notes:
621 words.
I came up with this idea while writing my last
Scene Structure post. I decided to play out the scene to see what would happen. Not sure if it quite “works” but I thought it was an interesting twist. I’m glad I finally got around to writing another of these!

Thursday, April 8, 2010

ANNOUNCING: Bad Girl Blogfest!

 Bad Girl Blogfest

On May 7, 2010, I will be hosting the Bad Girl Blogfest. Here’s how it works: Sometime between now and the end of the day May 7, post a scene to your blog and enter the link down below. Then, on May 7, come back here and check out all the other entries!

So, what is a Bad Girl? Do you have a female character who’s a little bit mean? Haughty? Conniving? Wretched? Does she lie? Cheat? Steal? Is she on the run from the Law? Or is she an Enforcer, dealing out Justice to those who deserve it? Bad Girls come in all shapes and sizes, from the not-so-innocent schoolgirl to the mad Empress of your fantasy Kingdom. Does she think she’s better than everyone, and that the world owes her something? Does she shoot first and ask questions later? We know they’re out there, haunting nightclubs and stalking graveyards, mixing potions and casting spells, hacking bank computers and  pushing drugs, you name it. There’s no end to the variety of good-girls-gone-bad out there. Bring it on!

If you tweet this, please use the hashtag #badgirlfest.

Bonus points to whomever can name the three bad girls in the banners! Here’s a small banner if you want to link to this post, followed by the embedding code.

Bad Girl Blogfest

Sign up here!

NOTE: I have closed the list to sign-ups and deleted all links that do not lead to a blogfest entry. If I inadvertently deleted a good link, add a comment here with your name and URL and I will add it back.

Monday, April 5, 2010

Scene Structure Part IX – Conflict

Part of an ongoing series on Scene Structure.

Conflict

railtracks (Me talking about) Conflict is inevitable. Conflict is what drives stories. Conflict is especially important in scenes. If my last post described how to make scenes boring, this post describes how to make them exciting. Let’s start with a definition.

Conflict is when a character is faced with multiple choices and desires a particular outcome.

For example:

The black train rumbled down the track, smoke billowing from the stack. A toot blasted from its horn.

Okay, can you spot the conflict? No? Good. There isn’t any. You might wonder why it tooted, but all trains toot four times before crossing a road, so it could be anything.

Compare to:

The black train rumbled down the track, smoke billowing from the stack. A toot blasted from its horn. Susan pulled on her foot, hopelessly stuck in the switch point where the track split.

Now then, we have sense of conflict. We see a character who wants to get out of the way of the train. She has choices here. She can let the train hit her and kill her, she can lay down and maybe only lose the foot, or keep working on the problem.

Conflict occurs when a character’s needs are not immediately met.

Now how does this apply to scenes?

Every scene must contain conflict. Otherwise it’s just a description of a train running down the track. Not only that, but to keep readers involved in the story, every page should contain conflict. You heard me. Every page.

I read a lot of first pages in the recent First Page Blogfest. Most were brilliantly written, but the ones I enjoyed the best contained conflict from the very first sentence. The ones with no conflict made me think, “who cares? There’s nothing at stake here.”

Conflict Goals

  • Establish the Stakes. In the first example, what were the stakes? None. The first paragraph or two of every scene must establish the stakes of that particular scene. Then it becomes easier to throw in some nice scenery, a little backstory, and some other notes of importance, but don’t get away from the conflict of the scene for more than a paragraph or two. The stakes may change as the scene progresses, generally increasing.
  • Make the Conflict Matter. I have a whole post on this topic, but to summarize here, it’s much better in the long run if the character doesn’t achieve their primary goal in a scene. In the example above, a character dealing with the consequences of a severed foot are much more intriguing than if she escaped scot-free. But if she does escape, it must come at a cost. Otherwise, the train’s just a scary bit that doesn’t matter in the long run.
  • Provide an Antagonist. Perhaps there’s someone standing there, watching Susan’s predicament, unwilling to help until she gives him the information that might lead to a loved one’s death. Characters with conflicting goals are the spice of literature. It’s not a requirement, but it does intensify the conflict if there are characters in opposition in every scene.
  • Inner Vs Outer Conflict. Good scenes have both. Outer Conflict can be defined as a character’s goal facing external obstacles, whereas Inner Conflict can be defined as a character dealing with conflicting goals, where achieving one goal would prevent achieving the other. Susan wants to live, but she also wants self-respect, which she would lose if she acquiesced to the Antagonist’s demands.

Conflict Non-Goals

  • Don’t Keep it Level. Conflict must ebb and flow, reflecting the level of stakes involved. If someone is running late for a date, don’t make him run over pedestrians like a fleeing bank robber. Then again, your fleeing robber shouldn’t wait for the crosswalk to clear. Don’t create conflict for the sake of creating conflict, it must be meaningful and appropriate. Consider crossing the guy running late for a date with the fleeing bank robber… ;)
  • Don’t Leave Conflict Unresolved. Stories must progress. Create an outcome in your scene…hopefully a bad outcome which leads to greater conflict. It’s fine for an overarching goal to remain unresolved, but focus on what this particular scene is trying to achieve. You can only run late for a date for so long.
  • Characters Resolve Conflict. Not magic fairies or the Lottery. The main character of a scene (and only that character) acts to resolve the conflict. Other characters might act to increase or prolong the conflict. The train won’t miraculously jump the track or stop just in time. The man’s date won’t call and say she’s running late and he needn’t hurry. The bank robber won’t have the cops decide he’s not worth pursuing and he can keep the money. These people are in serious predicaments, and the world will not change to accommodate them.

How have you ensured that you have conflict in every scene? Or page?

Sunday, April 4, 2010

Blogfest Voting Results!

Blogfest Voting Results!

Here are the final results of my Blogfest poll:

imageFirst of all, THANK YOU FOR VOTING!! I was kind of hoping for “A Proper Blogfest” but this…well now what? All of the top three are great. What makes a character a true hero? What moment changed your character’s life forever? But with the third choice…there is so much room for fun!

So later this week, I will be making the official date announcement and open sign-ups for

The WriteRunner’s Bad Girl Blogfest

Do you have a female character who’s just plain mean? Abusive? Snotty? A good girl gone wrong? Thinks the world owes her something? Do you have a woman who’s crossed the line, done things she’s ashamed of (or not), and is hopelessly lost? Or misunderstood? Do you have an angel turned into blackest demon, now stalking the pages of your work with her ferocious anger? Or is she as as sweet as molasses, up until the point where she sinks her fangs into your unsuspecting hero’s neck?

Now for my Bad Girl Anthem

Does she

Pour acid on roses and pull whiskers off kittens?
Smash copper kettles and burn woolen mittens?
Send brown paper packages tied up with strings
Trying to blow up your favorite things?

When the dog bites
When the bee stings
When I'm feeling sad
I know that she sent me those god-awful things
And then I don't feel so bad. But not really.

Bad Girl Blogfest!!

BTW if you voted for a different blogfest, please consider hosting it yourself! I won’t mind at all!

Friday, April 2, 2010

First Page Blogfest: Steam Palace

Thanks to Kelly Lyman for hosting the First Page Blogfest!

PLEASE VOTE FOR WHICH BLOGFEST I SHOULD HOST!

Now this isn’t actually my first first page. I wrote a prologue, but I’m still on the fence about keeping it in there. But there’s a nice little murder in it and I think it draws the reader in. For now, I’m posting the first page of Chapter One.

Steam Palace Chapter One

Airship11_Smoke From high above the ground, Thomas viewed the smoking wreckage of a royal airship and the bloody bodies that littered the clearing. He pulled back on the throttle and tugged the gas release. His one-man dirigible scout descended and landed among the bodies, which all bore the red and blue uniform of the New Britannia Royal Guard. He jumped out, secured his ship to a nearby tree, and searched for survivors. Throats were slashed, execution-style. Thomas checked his revolver. A gaping hole punctured the wreckage of the downed airship. Its deflated balloon rested across nearby trees, shimmering in the breeze. This crash was no accident.

A trail of bent grasses led to the South and into the forest. Survivors? Thomas followed the trail, keeping his head low. The sun glinted off something hidden under a pile of branches. He discerned a shiny black mechohorse with rear-mounted cannon, the likely author of the destruction. A white painted cross revealed its ownership. Reichlanders? On this side of the river? They had become bold of late, but this incursion would have lasting implications.

Thomas froze. Voices murmured through the forest. He dove to the ground, breathing fast. His gold-trimmed airman’s uniform would reveal him in an instant. Past the mechohorse, a dark hole opened in the ground, a cave. Thomas crept towards it. The voices emanated from that cave. Then a scream…a woman’s scream. The Reichlanders were interrogating a prisoner—most likely the same person Thomas had been tasked to locate. He stole up to the cave, his hand trembling on the grip of his revolver. He considered his options. Possibly an autonomous unit, but they set no guards. They were questioning the prisoner onsite, so they must not be holding her for ransom. They must intend to kill her, judging from the merciless screams that rattled his ears and chilled his blood.

Thomas maneuvered next to the cave, peering into the darkness. He wiped the sweat from his brow, and then turned into the entrance. The voices grew louder, the screams more dire. He stepped inside. A torch blazed down the cave shaft. He proceeded. Past that, the cave opened into a chamber lit by additional torches. He spotted chairs and paper-strew tables, and even a filing cabinet. He clenched his revolver. A Reichland advance scouting camp, and they just bagged a huge prize. He formulated a plan.

Thursday, April 1, 2010

Alternate Version Blogfest: Steam Palace

Thanks to Livia Blackburne for hosting the Alternate Version Blogfest.

PLEASE VOTE FOR WHICH BLOGFEST I SHOULD HOST!

alternative I chose a scene from my WIP Steam Palace where Prudencia, my main character, meets Lily for the very first time.

Original Version:

A rustling noise shivered the door. Prudencia shot up, feeling vulnerable with only a towel to cover her nakedness. The door opened, and a figure stepped in, closing and latching the door behind. The figure removed a cloak and turned to face Prudencia.

“Oh,” she said.

Prudencia held the towel tightly. “Um...hello? Who might you be?” The person who had just entered didn’t look much like a housemaid. She bore long golden hair, a contrasting dark complexion, and her low cut shirt revealed half her bosom, which had been enhanced with some kind of tight corset. Dark liner circled her eyes, and her lips were painted a painful red. Her skirt ended shockingly right below her hips, exposing her knees and ankles. Prudencia wonder if some street walker had just walked in by mistake, not that she knew what one looked like except in books of course.

“I’m Lily. I’m the—maid.” She extended a white gloved hand.

Prudencia studied the girl. Buxom, handsome, mixed ancestry, but the kind of figure she knew men sought. She grasped the hand and shook it. “Aunt Bea—I mean Lady Harwinton is not up yet,” she commented.

“She never is.” Lily lifted a sack and handed it to Prudencia, who managed to grasp it without losing her towel. “Put that on the counter, would you dear.”

Prudencia lifted the heavy sack and heaved it over. “I’m Prudencia, Lady Harwinton’s niece. I just arrived late last night, and I’ll be staying here.”

“For how long?” Lily eyed Prudencia.

“For—as long as I want, I suppose. She wants to show me Hartford.”

Lily laughed. “Not much to see here. Factories, banks, whale rendering plants, machine shops, a lot of boring stuff. If you want some excitement, you’ll have to leave this part of town.”

Okay, I call that “Welcome to Snoresville.” So during revision, I completely changed Lily’s character into someone much darker, and changed her name to Viola. I wanted her and Prudencia to be in conflict from the first second they meet. In the first draft they become fast friends. In the new revision, they hate each other…but they will be forced to work together and overcome their differences. So here is the “alternate” version of their first encounter:

Prudencia woke to the sounds of rummaging. Judging by the moon’s progress, dawn’s arrival would be imminent. She pulled on a thick woolen robe and wrapped it against the night’s chill. Something downstairs clinked and clattered. She stepped into the hall and glanced into Bea’s room from which emanated the soft sighs of sleep. Could some stray animal be foraging in the house? She grasped a baleen broom from the corner of the hall and crept down the stairs, prepared to beat away any crafty raccoons who might be pilfering the pantry. The nocturnal animals were regular infiltrators in the Wethersfield Manor, and a strict beating would usually deter future infiltrations.

She froze near the bottom. This was no animal. A dark figure moved among the shadows. An intruder. Prudencia clutched the broomstick. The creature dropped something and cursed. A woman’s voice. She peered into the unfamiliar pantry, searching for an accomplice, but the female felon worked alone. She spotted no sign of forced entry, but the darkness could conceal the evidence.

“Come on, where is it,” muttered the figure.

The intruder lit a small lamp. In mere moments, Prudencia summed up the figure before her. A black corset and dress, long dark tresses of hair, and deep colored eyes revealed the hallmarks of a lady of the night. Prudencia might have been raised in Podunk, but she knew enough of the world to notice the bright painted lips, the red sash, and ambergris scent of a prostitute. As she computed this postulate, the woman’s gaze fell upon Prudencia. A thick silence gripped the air as both women appraised the situation.

The black-clad intruder sprang for the door, but quicker than thought Prudencia blocked her, wary of her sharp red nail-tipped fingers. She waved the broom above her head. The thief crouched like a cat, her gaze darting about the room. “Who are you,” demanded the intruder at last, pointing a finger at Prudencia. “What are you doing in my house?”

It has come to my attention that people do not like the name “Prudencia.” In fact, many people hate it so much they would rather read something else than deal with it.
So in the spirit of “Alternate Version”, I’d like to suggest some alternate names. Let me know if any of them resound with you, or if you have any suggestions.. I’m looking for a formal, antique sounding name. (Last name is Stratton FWIW)
Priscilla
Providence
Primrose
Bethania
Camilla
Lavinia
Sophia

EDITED TO ADD:

Apparently, there’s more to “Alternate Version” than I thought…many people are alternating genres….so here’s my attempts (very off-the-cuff and unedited)

Spy Version:

Agent Stratton woke to the subtle noises. She was instantly awake, every sensory nerve firing at maximum. She downed a stim, just in case, and checked her Glock as quietly as possible. Something stirred down in the parlor. She had come to this B & B her aunt run as a vacation, and now she feared her past had found her. She slowed her breathing, and hugged the walls as she crept down the stairs.

Down in the kitchen, a dark figure rifled through drawers. Dressed in black riding clothes, a helmet sat on the counter, along with a brown leather duffel. Stratton noted the curves of a woman. She hoisted the gun to eye level.

“Drop it,” she said, but before the words left her throat, she must have made a telltale noise, because the intruder pulled her own gun. They stared each other down.

The intruder spoke. “Who the hell are you, and what are you doing in my house?”

Slash Version (The alternative alternate version)

Prudencia woke from her usual dreams, her body tingling with a lust no man could satisfy. A noise echoed from downstairs. Throwing on a sheer silk, she stumbled down the stairs, wondering who dared disturb her delightful slumber. A woman pawed through drawers in the kitchen, but not any woman. Perhaps another guest, Prudencia could not remove her gaze from her curvy figure, her pert breasts, her deep eyes and tumbling hair. She drew in a sharp breath, and the figure turned to her.

The both watched each other as time stood still. Every sense in Prudencia’s body came alive. She dared not hope for the impossible, that this woman shared her desires. At last the angel spoke.

“Please tell me you’re staying here too,” she said, her breast heaving with emotion.

Sci Fi Version

A chime woke Prudencia. Words flashed across her vision, something about a visitor. She rolled out of bed which deflated and retired to its box. She waved and arms fell out of the closet, throwing clothes on her. She checked her message list and feeds, finding nothing of import. Her hoverpad approached, and she stepped on. “Downstairs,” she said, and the pad pushed her along while a head spider arranged her hair.

She stopped at the bottom. A readout appeared in her vision, identifying the person who rummaged through the kitchen.

Robotic Model “Viola”
Current Location: Steam City
Current Assignment: Pleasurist

Yes indeed, the android bore the trappings of a pleasure provider, the vinyl and rubber of a machine dedicated to the whims of its clients. The machine turned to her.

“Return to your designated quarters and you will not be harmed.”

I hope you enjoyed those!